SnapperTalk

March 28th, 2010

Canon E1 plugin workflow II

(This is the second in a series of articles, the others may also be of interest: Part One, Part Two, Part Three)

I’ve updated that rather lengthy earlier article with new information about the (slightly more flexible) required directory structure, particularly the realization that you can have multiple subfolders of any name. It was good to understand how the plugin works, but having re-read it I’ve decided I’m not actually going to change my existing stills workflow to the one described in the article – as I like mine the way it is. Instead, I suggest this as a much simpler solution:

1. Use whatever file structure you want for ingesting to the hard disk, just make sure you copy all the stills and video files and associated sidecar files, making sure the .MOV extensions remain in uppercase.
2. Keep permanently a folder called “DCIM” on the hard drive, with a sub-folder “To Import”
3. When you want to import video files, just copy (duplicate, not move) them from wherever they are and dump them all into the “To Import” folder.
4. Point FCP Log & Transfer to the “DCIM” folder as described in the previous article and import the files you want.
5. When you’re finished, just delete all the files in the “To Import” folder.

This way I don’t have to change my existing workflow at all, but can still use the Canon E1 plugin to Log & Transfer whatever I want, from wherever I want.

8 Responses to ' Canon E1 plugin workflow II '

Subscribe to comments with RSS or TrackBack to ' Canon E1 plugin workflow II '.

  1. Tweets that mention Canon E1 plugin workflow II | SnapperTalk -- Topsy.com said:

    [...] This post was mentioned on Twitter by Paul Hawke-Williams, Tim Chong. Tim Chong said: Ben Curtis #Canon E1 plugin workflow http://is.gd/b5HVW & http://is.gd/b5HVV #fcp [...]

    March 30th, 2010 at 01:39 UTC

  2. Tweets that mention Canon E1 plugin workflow II | SnapperTalk -- Topsy.com said:

    [...] This post was mentioned on Twitter by koci and Paul Hawke-Williams, Tim Chong. Tim Chong said: Ben Curtis #Canon E1 plugin workflow http://is.gd/b5HVW & http://is.gd/b5HVV #fcp [...]

    March 30th, 2010 at 13:48 UTC

  3. Willie Chu said:

    Can you tell me if after Log and Transfer of the MOV files to
    the Pro Res format, is it necessary to keep the MOV files or is it
    a good idea to keep them as a native backup.

    March 31st, 2010 at 17:08 UTC

  4. Ben said:

    Willie – it’s up to each person and how important those files are, but I’d suggest keeping them. They are the originals and if you ever want to transcode to a different format in the future, or work from the original files, it’d be good to have them, as well as them providing a second-copy backup.

    March 31st, 2010 at 17:12 UTC

  5. Jani said:

    Great!!! clear and easy!! thx!!!

    May 3rd, 2010 at 20:48 UTC

  6. Nick said:

    Hi Ben,

    This seems in theory like exactly what I want to do but I can’t get it to work and wonder if you could help.

    I created a folder called DCIM and a subfolder called To Import and then exported a file named “MVI_4082.MOV” from the Aperture library that it is stored in. When I tried to add the DCIM directory through the Log and Transfer window, I got the usual error about: “DCIM” contains unsupported media or has an invalid directory structure. Please choose a folder whose directory structure matches supported media.

    Thoughts? Thanks!

    July 18th, 2010 at 21:23 UTC

  7. Ben said:

    Hi Nick,

    I don’t use Aperture but my guess is you may have lost the .THM files when you imported your disk to Aperture. See Part 1 of my article here:

    http://www.snappertalk.com/index.php/20100328/canon-e1-plugin-workflow/

    Specifically this bit…..

    Of course you still have to make sure you ingest with .MOV in uppercase and that all the associated sidecar files such as .THM files are present (I think)

    That said I haven’t actually tried to do it without the .THM files, but I seem to remember people on some of the forums reporting that they were necessary.

    Perhaps try it again with some freshly shot footage complete with all the sidecar files. It wouldn’t help with your existing footage in Aperture, but at least you might be able to narrow down the problem.

    Let us know if that’s the problem or not… Good luck

    Ben

    July 19th, 2010 at 16:37 UTC

  8. Jason said:

    THANKS so much for posting this! I knew there HAD to be a way to use HD-imported clips, but it was driving me crazy. Thank the Lord for you, and Google!

    August 25th, 2010 at 04:42 UTC

Leave a reply

Subscribe without commenting

Bad Behavior has blocked 751 access attempts in the last 7 days.